Simon Harling. PO Box 82, New Castle, NH 03854
Born: Colchester, England. Art Education: London College of Printing
Tel. (603) 436-0822. Email: simon@simonharling.com
ONE AND TWO PERSON EXHIBITIONS
Capricorn Galleries, Bethesda, MD 1989 1991 1995
Davidson Galleries, Seattle, WA 1989 1992
Rutzmoser Galerie, Munich, Germany 1986
A.M. Sachs Gallery, NY, NY 1983 1985
Solomon Gallery, Dublin, Ireland 1982
Lad Lane Gallery, Dublin, Ireland 1981
Portal Gallery, London, UK 1977 1979
SELECTED GROUP EXHIBITIONS
Museu Del Tabac, Andorra. "HyperRealism Today" 2013
University of Southern Maine, Lewiston, ME. “The Figure Revealed - IV” 2012
Plus One Gallery, London, UK. “Exactitude IV” 2009
Southern New Hampshire University, Manchester, NH. "Allegory" 2007
Portland Museum of Art, Portland, ME. Biennial 2007
Plus One Gallery, London, UK. “Exactitude III.” 2006
University of New England, Portland, ME. “A Celebration of South Maine Artists.” 2005
University of Southern Maine, Lewiston, ME. “The Figure Revealed - II.” 2005
Long Beach Museum of Art, Long Beach, CA. “California Visions.” 2005
Lamont Gallery, Phillips Exeter Academy, NH. “Four Square.” 2004
Plus One Gallery, London, UK. “American Realism.” 2004
Gallery Henoch, New York, NY 1997 - 2004
George Marshall Store Gallery, York, ME. “Ship to Shore” 2004
Coolidge Centre for the Arts, Portsmouth, NH. 2003 - 2006
Ogunquit Arts Association, Ogunquit, ME 1999 - 2006
Whistler House Museum, Lowell, MA. “Poets and Painters”. 2001
Fitchburg Museum of Art, Fitchburg, MA. “20th Century Realism” 1995
South Bend Regional Museum of Art, South Bend, IN. "Getting Real” 1994
University of Puget Sound, WA 1992
Tortue Gallery, Santa Monica, CA "20 Years in Santa Monica”. 1990 Earl McGrath Gallery, Los Angeles, CA 1990
John Szoke Gallery, NY, NY “A Sense of Place”. 1990
William Sawyer Gallery, San Francisco, CA “Images of the Land”. 1988
Baltimore Museum, Batimore, MD. 1986, 1987
Museum of Santa Cruz, Santa Cruz, CA. 1987
Swain Gallery, Plainfield, NJ “Contemporary American Landscape”. 1986
Fischer Fine Art, London, UK “Aspects of British Landscape”. 1986
Albright Knox Museum, Buffalo, NY. 1985
Columbus Museum of Art, Columbus, OH. 1984, 1985, 1987
McNay Arts Institute, San Antonio, TX. 1984
Invited Artist. 1st ICAF, The Barbican, London, UK. 1984
Piccadilly Gallery, London, UK. 1980
CORPORATE COLLECTIONS
Exxon Corporation, USA
Prudential Insurance Company, USA
A.T. & T. USA
Technimetrics Inc. TN
Delta Airlines
Bank of Illinois, Evanston, IL
Queens City Bank, NJ
Midlantic Bank, NJ
United Technologies, Hartford, CT
Washington University Medical Center, Seattle, WA
Fidelity Investments, Merrimack, NH
Harvard University Business School, Cambridge, MA
Tyco Submarine Systems, Morristown, NJ
Creative Arts Institute, Washington. DC
Preti, Flaherty, Beliveau & Pachios, Portland, ME
Sheraton Hotel, Portsmouth, NH
Stonewall Kitchen, York, ME
Anson Sails, Stratham, NH
PUBLICATIONS, REVIEWS, TELEVISION
Exactitude; Hyperreallist Art Today. John Russell Taylor (Thames and Hudson) 2009
Cafe Review, Maine Arts & Poetry Magazine. 1998
Arlington Banner, July 1994
The World Trader - New Hampshire Port Authority Magazine 1994
Seattle Guide, May 1992
New York Times, May 17, 1985
Artnews, July 1985
Artspeak, June 1985
BBC TV Omnibus Arts Program: “Painting in Wharfedale”. 1984
Irish Times, August1, 1982
In Dublin, August 1982
ARTIST STATEMENT
Our lives are a journey through a changing landscape. These landscapes become associated with the emotions we experience as we pass through them. A ship departs at dawn, a car travels on a road at night, a solitary figure contemplates a distant horizon - these are all images that have a resonance beyond the surface narrative, suggesting various emotions such as loss, hope or communion. Some of these associations are so deeply rooted that they have become a comprehensible language.